Rojo, by Benjamin Naishtat, revisiting the 1970s in Argentina, pre-military coup period
Inventive and diverse, able to review the colonial and dictatorial past but also to observe the minutiae of a daily life of late capitalism and its family obsessions. This is the context of Sol de Maio: Argentine Cinema Cycle, in Trindade, Porto.
In recent years, South American cinema has established itself in the festival circuit as a very productive geographical and cultural area. Within this specificity, cinema from Argentina has stood out: inventive and diverse, able to review the colonial and dictatorial past, but also to observe the minutiae of a daily life of late capitalism and its family obsessions. This is the context of Sol de Maio: Argentine Cinema Cycle, which would have celebrated the fourth anniversary of Cinema ...